A Long Walk Continued

Nelson Mandela called his autobiography Long Walk to Freedom, and that title resonates with this week’s Torah portion, Haazinu. This parashah is only one chapter long; it is written in two columns in poetic form, resembling a two lane road; and it records Moses’ last song to the Children of Israel. It is a last...
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Words and Deeds

Last year at this time, we were hearing the distressing news of the conflict in Gaza. Coinciding with Tisha B’av, which this year occurs in the week to come, Jews everywhere were mourning, and beginning to argue with aching hearts about Israel, and about justice. Parashat Devarim begins with Moses addressing “all Israel.” Rashi suggests...
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Jacob the Immigrant

On October 5, supporters of immigration reform staged rallies in cities across the United States to advocate for a comprehensive overhaul of a system that routinely disregards basic dignity and respect. After Shabbat services that week, some congregants and I attended the New York-area rally on Cadman Plaza, just steps from our shul. When we...
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Three Plagues

This week’s Torah portion is Parshat Bo. The portion tells the stories of the last three plagues suffered by the Egyptians—locusts, darkness and the killing of the firstborn. During the Pesach seder, we remove drops of wine from our cups to remember the suffering of the Egyptians. During morning worship on Pesach, we recite Hallel,...
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Ending Tax Benefits for Terrorists

Israel’s far-right Kahanist movement is drawing new scrutiny and attention following Israeli Prime Minister Netanyahu’s recent announcement that he welcomes bringing Otzma Yehudit, a reincarnation of Meir Kahane’s outlawed Kach party, into his governing coalition. This racist movement, made up of numerous far-right, terrorism-promoting groups that share the same leaders and activists as Otzma Yehudit...
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Choosing a Life-Giving Narrative

In this week’s d’var torah on Parshat Mishpatim, Judith Plaskow notes that it is easy to focus on those passages in the Torah that are inspiring and uplifting, or to depict US history as a continuing march toward equality and freedom, passing over in silence the aspects of both narratives that are troubling or oppressive.
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