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T'ruah's staff.

Raphael Lemkin Human Rights Award From the arts, to the United Nations, to Human Rights Watch, Marina Kaufman has dedicated her life to human rights for all people. In 1978, she became involved with an organization called the University for Peace in Costa Rica, where she was one of the “producers” of a benefit concert...

“I am a nester,” my friend said just weeks before Pesach, as we pondered the ramifications of her house having been dismantled for mold remediation. Her home is sacred space for her, a place set apart to replenish herself. Normally, she would have been cooking up a storm in her house. Instead, we baked a...

Commentary on Parshat Ki Tisa (Exodus 30:11 – 34:35) The Golden Calf is one of the most spiritually disturbing incidents in the narrative of the Israelites’ journey through the desert. While Moses is away on the mountain with God, the Israelite camp dissolves into a chaos of mistrust and idol worship under the care of...

In the militia headquarters in Odessa decades ago, I was surrounded by harsh interrogators who castigated my friend and me for visiting Russian Jews, who were aliens in their eyes. I felt anger and even hatred at these leaders and their many followers who had made Jewish life impossible for a large segment of our...

My father’s family were refugees from Vienna, who fled just before World War II broke out, but not before my grandfather had been deported to Dachau. He remained incarcerated there from November 13, 1938, until January 19, 1939. He knew he had to leave Austria with his family. But leaving wasn’t easy. First, it meant...

Commentary on Parshat Vayechi (Genesis 47:28 – 50:26) This past summer, five participants in a Birthright Israel trip (free 10-day Israel tours offered to young adults) left the tour to visit with Palestinians on the West Bank. Their decision to do so came after receiving a map that made no effort to demarcate the Palestinian...

In this d'var Torah for Parshat Ki Tisa, Daniel Handler struggles with symbols that become more important than morals.

The window – where the dove returns with an olive branch –  is about hope and connection. The window is an escape from the crushing waves of the endless news cycle of fear and violence. The window is a possibility of change – of redemption.

How can we take on our own “marking of the doorposts” for this moment? What am I prepared to do, or say, to help bring this cursed war to an end? How might I “mark” myself as someone committed to the collective liberation of Palestinians and Israelis?